Multidisciplinary artist · Performance · Installation · Video · Sound
I create situations in which bodies, matter, sound, time and environment participate in the emergence of the work.
↓Selected works
A relationship between body, matter and water, in which skin becomes a threshold, a sensitive surface and a space of transformation.
Body and water intertwine. Identity takes shape as fluid matter: moving, adaptable and always in becoming.
Fragments of the body, fingers immersed in water, movement and water sounds are layered and interwoven. The work considers identity as a fluid form that transforms and adapts, like water taking the shape of its container.
A passage through narratives, images and memories of migration, at the unstable boundary between reality and fiction.
Threads trace relationships, distances and encounters. A collective gesture brings forth an unpredictable geography.
Presented at the university in 2026, the work is shaped by the relationships that emerge among people, gestures and threads. The map is not determined in advance: it becomes the material trace of a shared experience.
A future extension is envisaged as a collective tapestry using the Arraiolos stitch, a technique learned in childhood.
Artistic statement
My practice explores how invisible realities become perceptible through the body, matter, sound and performative action.
I often begin with a notion—its meaning, etymology, uses and shifts. Words become gestures, traces, sounds or materials. Rather than determining a final form, I create conditions for emergence: materials, people, duration and environment contribute to what comes into being.
This methodology of co-emergence involves an ecology of attention. The work is not a fixed object, but an experience traversed by unpredictability, the agency of matter and the passage of time.
About
Artist-author working between Albi, Bordeaux and Lisbon.
Her background connects visual arts, research, artistic intervention and social action. She develops performances, installations, videos and situated experiences that examine bodies, places, memory, identity and transformation.
Her research addresses performance, attention, relationships and the ethics of care without placing her practice within a therapeutic framework.
Notebook
When words leave the page, threads, constellations, entanglements and voices compose a map of thought.
Written matter can become visual matter. Words are no longer simply read: they connect, shift and build an architecture of meaning through writing, image, object, textile, movement or sound.
Attention is not an imposed slowing down. It is a posture of presence that opens perception to what is already there.
Becoming available to presence makes it possible to receive the vibrations of a machine, the movement of wind, a material transformation or a relationship taking shape.
Water adapts without ceasing to be itself. It shifts the question of identity towards continuous becoming.
Surface, medium, memory and force of transformation: water runs through the practice as both a tangible material and a way of thinking about what remains mobile and impossible to fix.